Mélodie / Ch. W. von Gluck ; arr. by Giovanni Sgambati ; edited and fingered by Josef Lhévinne. URL to cite or link to: Check out Gluck-Sgambati: Melodie (from Orfeo ed Euridice) by Sergei Rachmaninoff on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. Giovanni Sgambati (May 28, – December 14, ) was an Italian pianist and composer. 3. Melodia campestre (Impromptu) in F; Étude triomphale in A, Op. posth. Sérénade valsée in A-flat, Op. posth. Melody from “Orfeo ed Euridice” ( transcription for solo piano of “Dance of the Blessed Spirits” from Gluck’s opera).

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His interpretation is subtly romantic while maintaining the delicacy and spirit of the original. Carl Fischern. Arranger August Reinhard Creative Commons Melory 4. He takes a more contrapuntal approach and the orchestral timbres are lovely.

Arranger Theobald Boehm He died in Rome, aged List of music students by teacher: And there is a gorgeous performance by Felicja Blumental.

Giovanni Sgambati – Wikipedia

Arranger Alexander Siloti — Born in Rometo an Italian father and an English mother, Sgambati, who lost his father early, received his early education at Treviin Umbriawhere he wrote some church music and obtained experience as a singer and conductor. Xgambati August Wilhelmj after Giovanni Sgambati — Creative Commons Attribution-ShareAlike 3.

Notable students include pianist and composer Lucia Contini Anselmi. In other projects Wikimedia Commons. Burgtheater First Pub lication.

He conducted the Italian premieres of Beethoven ‘s third and of seventh symphonies in and respectively. His compositions at this period — included a quartet, two piano quintets, an octet, and an overture. PDF scanned by archive.


Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald)

Productions du Moliantegok, These file s are part of the Werner Icking Music Collection. Operas ; Theatrical Works ; For voices, orchestra ; Scores featuring the voice ; Scores featuring the orchestra ; For voices with orchestra ; Italian language ; For flute, piano sgzmbati ; For 2 players ; Scores featuring the flute ; Scores featuring the piano ; For oboe, piano arr ; Scores featuring the oboe ; For clarinet, piano arr ; Scores featuring the clarinet ; For saxophone, piano arr ; Scores featuring the saxophone ; For bassoon, piano arr ; Scores featuring the bassoon ; For piano 4 hands arr ; Scores featuring the piano 4 hands ; For piano arr ; Mflody 1 player ; For strings arr ; For strings ; Scores featuring string ensemble ; For orchestra arr ; For orchestra ; For piano, harmonium gluci ; Scores featuring the harmonium ; For violin, piano arr ; Scores featuring the violin ; Sfambati cello, piano arr ; Scores featuring the cello ; For organ arr ; Scores featuring the organ ; For violin, strings arr ; For strings with soloists.

Carl Fischer Work Title Orfeo ed Euridice Alt ernative. They may not be public domain elsewhere. The performances by Rachmaninov, exquisitely played as always, are just a me,ody more Romantic than some think appropriate for the music.

Giovanni Sgambati

Hence, the edition is public domain in its country of origin or a government publication. The remaining pianists are relatively unknown, but very fine. And a surprise, an amateur pianist, who is included here because his performance of the Gluck Melodie most closely reflects the Classical style of the original. The fabric of melpdy playing is lush, but the melody sings as it sgambti and the performance is quite pleasing to me.


Arranger Pierre Gouin – Contact. Views Read Edit View history.

It is hard to fault Hofmann, but this one leaves me a might disappointed, as do the performances by Levitsky and Petri. Heim-Musik der Sirius-Mappe, 2. It seems almost as though he were not quite certain of the approach he wished to take. Naxos Javascript not enabled.

In he settled in Rome, and took up the work of winning acceptance for the best German music, then little known in Agambati.

However, her countrywoman, Guiomar Novaes, arguably one of the finest pianists of her century, plays it like a dream.

This page was last edited on 21 Decemberat Che Puro ciel Act II, sc. The melody does not flow, the playing has a halting aspect to it which contradicts the essence of the music. But the arrangement allows for it and his interpretation is carefully crafted and really sgambaati. This file is part of the Sibley Mirroring Project.

Most of Gluck’s original music has been retained here, but to stretch this “festa teatrale” into a full-length opera, no less than twelve additional pieces have been inserted. Arranger Giovanni Sgambati — Unlike Wild, who stresses the linear elements of the music thus maintaining the movement, Kissin’s playing is hampered by vertical stresses on almost every gluci resulting in an almost plodding performance, as does that by Joel Hastings.

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